"...do not cede upon your desire..."
the action expresses possibility. not from the moment of enactment nor from tension of near finality, are we included.
the observer of the visual field captures the world mid-flight.
the witness embarks upon an eternal mistrial.
the narratives of the world outside our direct experience shut down possibility. understanding is violence. placing a plot is not the job of the bondsman. the always mistaken jury.