We wish to pay heed to the sources of the unnameable despair that flows in every soul. The souls listen expectantly to the melody of their youth—a youth that is guaranteed them a thousandfold. But the more they immerse themselves in the uncertain decades and broach that part of their youth which is most laden with future, the more orphaned they are in the emptiness of the present. One day they awake to despair: the first day of the diary.
With hopeless earnestness it poses the question: In what time does man live? The thinkers have always known that he does not live in any time at all. The immortality of thoughts and deeds banishes him to a timeless realm at whose heart an inscrutable death lies in wait. Throughout his life the emptiness of time surrounds him, but not immortality. Devoured by the countless demands of the moment, time slipped away from him; the medium in which the pure melody of his youth would swell was destroyed. The fulfilled tranquillity in which his late maturity would ripen was stolen from him. It was purloined by everyday reality, which, with its events, chance occurrences, and obligations, disrupted the myriad opportunities of youthful time, immortal time, at which he did not even guess. Lurking even more menacingly behind the everyday reality was death. Now it manifests itself in little things, and kills daily so that life itself may go on. Until one day the great death falls from the clouds, like a hand that forbids life to go on. From day to day, second to second, the self preserves itself, clinging to that instrument: time, the instrument that it was supposed to play.
Walter Benjamin
Tuesday, May 12, 2009
Tuesday, December 30, 2008
Metaphysics of Intimacy
Suppose we're surface awaiting
substance. All we can do is stretch
taut a tarp before a burning building
and convince someone leaning out the ledge
of rubble's supperiority to ash just before
they jump from the window sill.
The best we can do is not break.
substance. All we can do is stretch
taut a tarp before a burning building
and convince someone leaning out the ledge
of rubble's supperiority to ash just before
they jump from the window sill.
The best we can do is not break.
Monday, December 29, 2008
Part of the Game: Touchdown
Vague and hazy instructions on how to throw a no-hitter
buy things from gold purses
take risky airplane rides
use reflecting tape as your only guide
have the ball change sizes while mid-air
don't see the catcher
don't see the batter
receive a daily newspaper
skip a day or two
buy things from gold purses
take risky airplane rides
use reflecting tape as your only guide
have the ball change sizes while mid-air
don't see the catcher
don't see the batter
receive a daily newspaper
skip a day or two
Sunday, December 28, 2008
Boys and Matches
You can convince yourself of anything. A straight line
doesn’t exist. Though true
I’ve never seen a ball continue rolling past the rest
of a bridge. Perhaps gravity
too is an optical allusion. What’s the function
of deception? f(x) persuasion
bends not towards truth but agreement.
I threw a stone in water in order
to realize the moon causes waves. If alls a joke
I wonder who’s laughing.
Did I misinterpret thunder? The parting of thighs?
Did I misgauge the circumference of the refilling
tank now unloading? Am I always to be subtle?
I am always subtle.
This is a disaster area, back up. The falling snow
fuels the fire. We can imitate stars only
momentarily.
doesn’t exist. Though true
I’ve never seen a ball continue rolling past the rest
of a bridge. Perhaps gravity
too is an optical allusion. What’s the function
of deception? f(x) persuasion
bends not towards truth but agreement.
I threw a stone in water in order
to realize the moon causes waves. If alls a joke
I wonder who’s laughing.
Did I misinterpret thunder? The parting of thighs?
Did I misgauge the circumference of the refilling
tank now unloading? Am I always to be subtle?
I am always subtle.
This is a disaster area, back up. The falling snow
fuels the fire. We can imitate stars only
momentarily.
Recess
I say I love when in the exchange
it’s absent. Power more than a father’s
un-kept promise. Please, turn your palms down,
drop them from your meager chin
to the aquifer piped through the faucet.
The pressure of the empty pipe seizes
convulses rust water in upheaval. Though they’ve
turned the main off while working beneath
the street, though what you knew of plenty
is abruptly rationed, you turn the handle
of the faucet not simply to watch it sieze
but to perform its duty in absence of purpose.
it’s absent. Power more than a father’s
un-kept promise. Please, turn your palms down,
drop them from your meager chin
to the aquifer piped through the faucet.
The pressure of the empty pipe seizes
convulses rust water in upheaval. Though they’ve
turned the main off while working beneath
the street, though what you knew of plenty
is abruptly rationed, you turn the handle
of the faucet not simply to watch it sieze
but to perform its duty in absence of purpose.
Friday, December 26, 2008
Standing Still I Am A Forest
..--..
An adolescent father snaps the chain link swing
while his first born son watches from a crippled
see-saw. The world has tinted itself to the passing
windows of cars. The heard has no home. Electrical
currents never stop and ask directions. It’s a group
the recognizes the face of a monolith, the child is
product of two parallel bodies without margin. Meet.
A man dizzy in the library moves from one book
to another, stacked open at the spine center, trading
the order of book chapters. Nothing moves like plot.
Or a classified section: Life seeking schematic. There’s
a house on hill where young men can find God’s will
in their lives. Perhaps they’ll discover Asche’s lines,
or prop the root system of a forest with shovels used
to excavate them. Perhaps they’ll notice family lines
of trees strangle strange roots of foreign trees whose
seeds, perhaps, hitchhiked a ride in a rodents entrails
dropped by a buzzard through their canopy. How
would they know the difference? Not speaking
to a family is a form of non-violence.
.-.-.-
An adolescent father snaps the chain link swing
while his first born son watches from a crippled
see-saw. The world has tinted itself to the passing
windows of cars. The heard has no home. Electrical
currents never stop and ask directions. It’s a group
the recognizes the face of a monolith, the child is
product of two parallel bodies without margin. Meet.
A man dizzy in the library moves from one book
to another, stacked open at the spine center, trading
the order of book chapters. Nothing moves like plot.
Or a classified section: Life seeking schematic. There’s
a house on hill where young men can find God’s will
in their lives. Perhaps they’ll discover Asche’s lines,
or prop the root system of a forest with shovels used
to excavate them. Perhaps they’ll notice family lines
of trees strangle strange roots of foreign trees whose
seeds, perhaps, hitchhiked a ride in a rodents entrails
dropped by a buzzard through their canopy. How
would they know the difference? Not speaking
to a family is a form of non-violence.
.-.-.-
Found Poem
So much for sovereignty.
A still face
lends life into a mirror, mistakes
itself
for itself. A man, underside of glass
painted black
no light to enter the body.
I, unpresent
dressed naked.
You hinge light
on flesh
rotate shadows from grown angles
pivoted by you,
shown the source of light traced
but unfound
in the mirror.
Me, the lazy self portrait
I paints over.
A still face
lends life into a mirror, mistakes
itself
for itself. A man, underside of glass
painted black
no light to enter the body.
I, unpresent
dressed naked.
You hinge light
on flesh
rotate shadows from grown angles
pivoted by you,
shown the source of light traced
but unfound
in the mirror.
Me, the lazy self portrait
I paints over.
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